Tile-laying games have always held a special
place in both my gaming life and my game design career. It was Carcassonne, one
of the best tile-laying games ever made, that first introduced my wife and me
to the board gaming hobby in Germany in 2001. Five years later, it was a
tile-laying prototype of my own called Heartland that impressed my group of
established Berlin game designers enough to encourage me to show it to
publishers, and it was that game that garnered my first contract. I returned to
the genre a few years ago with Citrus, another tile-laying game that has proved
to be my most favorite recent game.
I don’t think I will ever tire of playing—or
designing—tile-laying games, and it seems that I am not alone. There is
something very appealing about building the game board with tiles as you play,
and trying to solve the spatial puzzles that present themselves with each
move. And as a designer, there is truly an infinite number of variations
one can make on this mechanism.
In fact, there are always a mind-boggling
number of possibilities each time one begins to design a game. When my contract
ran out for Heartland several years ago, instead of offering it immediately to
another publisher for a reprint, I decided to pursue some of these “alternative
paths” that I had passed over in the original design, to make a new game from
the same starting point.
From
Agricultural to Urban
Many people have difficulty believing me that
its theme inspired Heartland. The main idea for the game came on one of
those flights back home to my native Iowa, where the square fields are laid out
like a checkerboard. Being from the Euro school of game design, I
admittedly abstracted the game quite a bit. Then putting tiles on top of tiles
gave the game a three-dimensional quality that ran contrary to the theme of
farming. Not to mention the scoring, but at some point, the game becomes
what it wants to be.
One of the comments I had from the original
publisher was that it could just as easily be a city-building game, especially
with the 3D aspect. When I started the new design, I also decided to start with
this alternative theme and make the tiles much thicker so that it would already
be much different visually.
The
Demolition
At the time, I was preparing to move with my
family to the U.S. for a year, and I wanted to pitch to several publishers
there who focused on the mass market. This ideal presented an interesting
challenge, as there is a higher tolerance for complexity in board games in the
market here in Germany. I would need to streamline as never before, and the
rules would need to be understandable in just a few minutes time.
So before I could begin building a new game
around the tile-laying mechanism of Heartland, I needed to demolish most of
what that original game was. This task is never easy to do, as it means bidding
farewell to so many elements which I took the time to develop and have been fun
to play. But one of the things I often emphasize when talking or writing about
game design is that the most creative solutions often come out of imposing
limits.
Keeping
The Foundation
When I finished the wrecking, all that was left
standing was that underlying mechanism: players had domino-style tiles in different
colors, and placed them on the board or onto other tiles to score points when
they were adjacent to groups of the same color. Everything else was gone! But
this was also the proven “foundation” that I had initially built Heartland
upon, and I felt it was stable enough to build upon again, in a new and
exciting way.
From
the Ground Up
One of my core design values is to present
players with interesting choices. I usually try to keep these from being overly
complex, but one option cannot be clearly better than the others—those kinds of
games only have the illusion of choices.
The domino tiles already include one simple
choice: which color half will I develop more through my placement?
Heartland added some extra information on each tile so that players could also
choose to develop various livestock and build barns, but I cut out that part of
the game. I needed another path to victory that was new and different.
I went back to the new theme for
inspiration. What distinguishes one city skyline from the next?
Often, it is the architecture of its skyscrapers—particularly when they are
most visible, at their peaks. The alternative goal for each player, then,
became one of trying to make their mark on the city skyline, placing their
building cupulas in the most strategic areas.
Since the game also now emphasized the vertical
aspect of tile-laying, I made the heights of the buildings a prerequisite for
each cupula: players needed to place the first one on a two-story building,
the next one on a three-story building, and so on. The tallest cupulas—when
well-placed—could score the most points at the game's end, but it was not
necessary to do so to win the game. This mechanism created the same kind of
tension that players enjoyed with Heartland: do I cash in on points now, or do
I work towards getting my cupulas built to score big during the endgame? It
was a different game, but the beautiful dilemmas were there again!
Skyways
The domino-style tiles posed a visual problem
with the city-building theme, however: as players placed them, they would cover
the roads in between buildings and the board would not look like a city at
all! The solution again came from my home state and its capitol, Des
Moines (and nearby Minneapolis to the north in Minnesota), as skyways connect
many of the buildings, which allow downtown businesspeople to move from
building to building without exposing themselves to the extreme weather in the
winter and summertime. Instead of rectangular domino tiles, then, they would be
square tiles joined by a narrower skyway. I also decided to push for plastic pieces--a first for me--so that they could interlock when placed on the game board.
The
City of Tomorrow
After the game had been picked up by
Eagle-Gryphon Games, we decided to have more fun with the theme. Many of
the early visions of the “city of tomorrow” from books, comics, and film
included skyway-type transportation between skyscrapers, and we decided to
place the game in a retro-science fiction setting.
I have always enjoyed playing games that allow
me to try different paths to victory, and the design process for Skyways has
been like playing one of those games, as I set out to follow a different path
from the same starting point. It is encouraging to see that one can continue to
invent original and exciting tile-laying games that offer new challenges and
dilemmas. And I have enjoyed being involved in a design whose components
are both practical and visually stunning. As with all good tile-laying games,
players can sit back at the end of the game and—win or lose—enjoy viewing the
city they have built together.
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